In order to maintain an emotional connection with Turbo, I placed the camera down at his eye level when appropriate, while at the same time avoiding too many snail close-ups. I found that it was important to pull back from the snails occasionally to remind the audience that we were dealing with very small creatures in a big world. Placing recognizable objects in the shot along side the snails also helped to establish scale. (In my previous post, I did this with a pair of gardening gloves and a small spade.) There were not a lot of props in the pits however, so I used the humans feet in a few of the shots for size comparison. You'll see this mostly in the next post.
FYI - Some of the Indy cars in this scene are imported 3D models that I positioned on the track using Photoshop CS5 Extended. This saved me from having to draw a bunch of cars at crazy angles with a lot of foreshortening.
To be continued...
Wow! These are so amazing! The staging, the movement, I could even hear those tyres. The expressions and effects are beautiful.
ReplyDeleteHi gud info Thanks
ReplyDelete